is what I call a composed picture by using a number of single high resolutions digital images. The shooting procedure of these single images starts in the top left corner of the picture and continues horizontal and line by line from top to the bottom. This technic is also called Multi-Line Panoramas, Multi-Row Panoramas or Ultra-High Resolution Digital Mosaics.
The picture of this page for example is a composition out of 99 single digital images; 9 lines with 11 images each. The possible print size of this picture in still very good quality (300 dpi) is 181 x 345 cm and the amount of data is 2,44 GigaByte (2.440.000.000 bytes).
But what is the advantage of this new technique? Why do I have to take 99 images, when I can do this picture with one shot only? And why this big amount of data?
At the 24th of September 2002 I took some images of a demolition house. The motive I wanted to use for a photorealistic oil painting later. So I did one wide angle image of the entire area and for more details a sequence of some overlapping images using a telephoto lens. I started this sequence in the top left corner and continued horizontal and line by line from top to the bottom. Each of these images I printed on DINA4 paper and mounted all these prints to get one big picture. The result is amazing:
1. The barrel-shaped distortion of a wide angle single picture is known to everybody. The usage of telephoto lenses together with the step by step turn of the camera eliminates this distortion. Example 1.
2. The technic of continued exposures creates a multitude of different units of time. The sensitive use of this effect offers itself new possibilities of design. Example 2.
3. The Sequential Photography makes it possible to show the path of motions - and more than one per picture - without using long-duration exposures. Example 3.
4. To show motions without long-duration exposures permits you to make images at night with less than one second. This protects you from the 'glow out'-effect of colours into white. Example 4.